{"id":323,"date":"2025-04-04T16:07:17","date_gmt":"2025-04-04T14:07:17","guid":{"rendered":"https:\/\/videoessays.org\/?page_id=323"},"modified":"2026-01-19T11:28:38","modified_gmt":"2026-01-19T10:28:38","slug":"video","status":"publish","type":"page","link":"https:\/\/videoessays.org\/index.php\/video\/","title":{"rendered":""},"content":{"rendered":"<div style=\"height:100px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper eplus-styles-uid-b6b4e2\"><\/div>\n\n\n<div class=\" wp-block-media-text is-stacked-on-mobile is-image-fill-element eplus-wrapper\" style=\"grid-template-columns:39% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/videoessays.org\/wp-content\/uploads\/2025\/04\/Toute-la-data-thumbnail-1-1024x576.jpeg\" alt=\"\" class=\"wp-image-336 size-full\" style=\"object-position:50% 50%\" srcset=\"https:\/\/videoessays.org\/wp-content\/uploads\/2025\/04\/Toute-la-data-thumbnail-1-1024x576.jpeg 1024w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/04\/Toute-la-data-thumbnail-1-300x169.jpeg 300w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/04\/Toute-la-data-thumbnail-1-768x432.jpeg 768w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/04\/Toute-la-data-thumbnail-1-1536x864.jpeg 1536w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/04\/Toute-la-data-thumbnail-1.jpeg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\" has-large-font-size eplus-wrapper\"><strong>Evelyn Kreutzer, Toute la data du monde (2025)<\/strong><\/p>\n\n\n\n<p class=\" eplus-wrapper\">An experimental short video essay that reimagines Alain Resnais&#8217; iconic 1956 essay film <em>Toute la m\u00e9moire du monde<\/em> for the AI age. Resnais&#8217; film, on the surface a documentary portrait of the French National Library, has commonly been understood as a meditation on the crisis of memory, knowledge, and ethics after the horrors of World War II. <em>Toute la data du monde<\/em> takes some of Resnais&#8217; images and questions as inspiration and applies them to this new current crisis of memory, knowledge, and archivization in the age of AI. Through surreal, meditative, and entirely AI-generated images, it suggests what the libraries of artificial intelligence and data might look like and holds a critical, self-reflexive mirror to the existential questions AI is imposing on our image world.<\/p>\n<\/div><\/div>\n\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper eplus-styles-uid-b6b4e2\"><\/div>\n\n<figure class=\"wp-embed-aspect-16-9 wp-has-aspect-ratio wp-block-embed aligncenter is-type-video is-provider-vimeo wp-block-embed-vimeo eplus-wrapper eplus-styles-uid-caeeba\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Toute la data du monde\" src=\"https:\/\/player.vimeo.com\/video\/1054071412?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper eplus-styles-uid-b6b4e2\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Evelyn Kreutzer, Toute la data du monde (2025) An experimental short video essay that reimagines Alain Resnais&#8217; iconic 1956 essay film Toute la m\u00e9moire du monde for the AI age. Resnais&#8217; film, on the surface a documentary portrait of the French National Library, has commonly been understood as a meditation on the crisis of memory, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"editor_plus_copied_stylings":"{}","footnotes":""},"class_list":["post-323","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/pages\/323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/comments?post=323"}],"version-history":[{"count":34,"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/pages\/323\/revisions"}],"predecessor-version":[{"id":2349,"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/pages\/323\/revisions\/2349"}],"wp:attachment":[{"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/media?parent=323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}