{"id":201,"date":"2025-02-06T10:33:44","date_gmt":"2025-02-06T09:33:44","guid":{"rendered":"https:\/\/videoessays.org\/?page_id=201"},"modified":"2026-04-21T19:25:46","modified_gmt":"2026-04-21T17:25:46","slug":"publications","status":"publish","type":"page","link":"https:\/\/videoessays.org\/index.php\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n<figure class=\" wp-block-video eplus-wrapper\"><video autoplay playsinline muted autoplay loop muted src=\"https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/film-finale_1.mp4\" playsinline><\/video><\/figure>\n\n\n\n<p class=\" has-text-align-right has-small-font-size eplus-wrapper\" style=\"border-style:none;border-width:0px;border-radius:100px;margin-right:var(--wp--preset--spacing--80);margin-left:var(--wp--preset--spacing--80)\">&#8220;gestures of thought: inscription&#8221;, Johannes Binotto, 2025.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<h2 class=\" wp-block-heading eplus-wrapper eplus-styles-uid-799302\">Publications<\/h2>\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n\n<div class=\"wp-block-group eplus-wrapper is-layout-grid wp-container-core-group-is-layout-1 wp-block-group-is-layout-grid\">\n<figure class=\"wp-block-image size-large eplus-wrapper wp-container-content-1 wp-duotone-unset-1\"><a href=\"https:\/\/videoessays.org\/index.php\/seeing-without-seeing-towards-a-generative-archival-practice\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1947\" height=\"1946\" src=\"https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/Lee-Fig-1-editing-timeline-screenshot-1-edited.webp\" alt=\"\" class=\"wp-image-771\" srcset=\"https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/Lee-Fig-1-editing-timeline-screenshot-1-edited.webp 1947w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/Lee-Fig-1-editing-timeline-screenshot-1-edited-300x300.webp 300w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/Lee-Fig-1-editing-timeline-screenshot-1-edited-1024x1024.webp 1024w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/Lee-Fig-1-editing-timeline-screenshot-1-edited-150x150.webp 150w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/Lee-Fig-1-editing-timeline-screenshot-1-edited-768x768.webp 768w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/Lee-Fig-1-editing-timeline-screenshot-1-edited-1536x1536.webp 1536w\" sizes=\"auto, (max-width: 1947px) 100vw, 1947px\" \/><\/a><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-foreground-color\">Kevin B. Lee: <em>Seeing without Seeing &#8211; Towards a Generative Practice<\/em>, 2025<\/mark><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large eplus-wrapper wp-container-content-2 wp-duotone-unset-2\"><a href=\"https:\/\/videoessays.org\/index.php\/1308-2\/\"><img loading=\"lazy\" decoding=\"async\" width=\"4499\" height=\"4500\" src=\"https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/de-Dardel_The-Color-out-of-Space_STILLS_9-edited.png\" alt=\"\" class=\"wp-image-794\" srcset=\"https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/de-Dardel_The-Color-out-of-Space_STILLS_9-edited.png 4499w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/de-Dardel_The-Color-out-of-Space_STILLS_9-edited-300x300.png 300w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/de-Dardel_The-Color-out-of-Space_STILLS_9-edited-1024x1024.png 1024w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/de-Dardel_The-Color-out-of-Space_STILLS_9-edited-150x150.png 150w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/de-Dardel_The-Color-out-of-Space_STILLS_9-edited-768x768.png 768w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/de-Dardel_The-Color-out-of-Space_STILLS_9-edited-1536x1536.png 1536w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/de-Dardel_The-Color-out-of-Space_STILLS_9-edited-2048x2048.png 2048w\" sizes=\"auto, (max-width: 4499px) 100vw, 4499px\" \/><\/a><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-foreground-color\">Marine de Dardel: <em>The Colour Out of Space<\/em>, 2025<\/mark><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full eplus-wrapper wp-container-content-3 wp-duotone-unset-3\"><a href=\"https:\/\/videoessays.org\/index.php\/1336-2\/\"><img loading=\"lazy\" decoding=\"async\" width=\"930\" height=\"930\" src=\"https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/Screenshot-2025-11-30-alle-19.15.55-edited.png\" alt=\"\" class=\"wp-image-1334\" srcset=\"https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/Screenshot-2025-11-30-alle-19.15.55-edited.png 930w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/Screenshot-2025-11-30-alle-19.15.55-edited-300x300.png 300w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/Screenshot-2025-11-30-alle-19.15.55-edited-150x150.png 150w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/11\/Screenshot-2025-11-30-alle-19.15.55-edited-768x768.png 768w\" sizes=\"auto, (max-width: 930px) 100vw, 930px\" \/><\/a><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-foreground-color\">Johannes Binotto: <em>Unsettling Bodies<\/em>, 2024<\/mark><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full eplus-wrapper wp-container-content-4 wp-duotone-unset-4\"><a href=\"https:\/\/videoessays.org\/index.php\/1637-2\/\"><img loading=\"lazy\" decoding=\"async\" width=\"688\" height=\"688\" src=\"https:\/\/videoessays.org\/wp-content\/uploads\/2025\/12\/Screenshot-2025-12-09-alle-17.40.01-edited.png\" alt=\"\" class=\"wp-image-1641\" srcset=\"https:\/\/videoessays.org\/wp-content\/uploads\/2025\/12\/Screenshot-2025-12-09-alle-17.40.01-edited.png 688w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/12\/Screenshot-2025-12-09-alle-17.40.01-edited-300x300.png 300w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/12\/Screenshot-2025-12-09-alle-17.40.01-edited-150x150.png 150w\" sizes=\"auto, (max-width: 688px) 100vw, 688px\" \/><\/a><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-foreground-color\">Silvia Cipelletti: <em>La prossimit\u00e0 come parametro scalare<\/em>, 2024<\/mark><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full eplus-wrapper wp-container-content-5 wp-duotone-unset-5\"><a href=\"https:\/\/videoessays.org\/index.php\/1668-2\/\"><img loading=\"lazy\" decoding=\"async\" width=\"596\" height=\"596\" src=\"https:\/\/videoessays.org\/wp-content\/uploads\/2025\/12\/9780820374758-edited.avif\" alt=\"\" class=\"wp-image-1656\" srcset=\"https:\/\/videoessays.org\/wp-content\/uploads\/2025\/12\/9780820374758-edited.avif 596w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/12\/9780820374758-edited-300x300.avif 300w, https:\/\/videoessays.org\/wp-content\/uploads\/2025\/12\/9780820374758-edited-150x150.avif 150w\" sizes=\"auto, (max-width: 596px) 100vw, 596px\" \/><\/a><figcaption class=\"wp-element-caption\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-foreground-color\">Evelyn Kreutzer: <em>Busting Beethoven: Nam June Paik&#8217;s Residence at WGBH<\/em>, 2025<\/mark><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<p class=\" eplus-wrapper eplus-styles-uid-a62243\"><strong><em><strong><em><strong><em>Johannes Binotto<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/p>\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-fe8644\">\n<li class=\" eplus-wrapper\">Binotto, Johannes. &#8220;VideoEssay. Bricolagen des Bilder-Denkens&#8221;. In: Jasmin B\u00f6scehn, Andrea Sabisch, Lukas Sonnemann, Anna Stolz (Eds.): Bildsituationen. M\u00fcnchen: kopaed, (pp. 177-190), 2025. <\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-33b905\">\n<li class=\" eplus-wrapper\">Binotto, Johannes. \u201cblack star\u201d. <em>[in]Transition<\/em>, 11(4), 12 December 2024. <a href=\"https:\/\/doi.org\/10.16995\/intransition.16430\">https:\/\/doi.org\/10.16995\/intransition.16430<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-39406f\">\n<li class=\" eplus-wrapper\">Binotto, Johannes. &#8220;Wahrnehmung st\u00f6ren. Essays zu Film und Kino&#8221;. Marburg: Sch\u00fcren, 7 October 2024. <a href=\"https:\/\/doi.org\/10.25969\/mediarep\/23162\">https:\/\/doi.org\/10.25969\/mediarep\/23162<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-53a1c0\">\n<li class=\" eplus-wrapper\">Binotto, Johannes. \u201cUnsettling Bodies: Video Essay As Embodied Research\u201d. Academic Quarter no. 27, 31 August 2024. <a href=\"https:\/\/doi.org\/10.54337\/academicquarter.i27.8827\">https:\/\/doi.org\/10.54337\/academicquarter.i27.8827<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:36px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<p class=\" eplus-wrapper eplus-styles-uid-a62243\"><strong><em><strong><em>Evelyn Kreutzer<\/em><\/strong><\/em><\/strong><\/p>\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-54326a\">\n<li class=\" eplus-wrapper\">Kreutzer, Evelyn. &#8220;What &#8216;The Twilight Zone&#8217; Can Teach Us About The Future of Cinema&#8221;. Swissnex in San Francisco, 28 January 2026. <a href=\"https:\/\/swissnex.org\/sanfrancisco\/news\/what-the-twilight-zone-can-teach-us-about-the-future-of-cinema\/\">https:\/\/swissnex.org\/sanfrancisco\/news\/what-the-twilight-zone-can-teach-us-about-the-future-of-cinema\/<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-073079\">\n<li class=\" eplus-wrapper\">Kreutzer, Evelyn &amp; Cipelletti, Silvia. &#8220;Locarno parla italiano &#8211; 404!: Glitching Locarno Film Festival&#8221;. <em>NECSUS, Audiovisual Essays<\/em>, Spring 2025. <a href=\"https:\/\/necsus-ejms.org\/locarno-parla-italiano-404-glitching-locarno-film-festival\/\">https:\/\/necsus-ejms.org\/locarno-parla-italiano-404-glitching-locarno-film-festival\/<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-a7274f\">\n<li class=\" eplus-wrapper\">Kreutzer, Evelyn &amp; Cipelletti, Silvia. &#8220;Locarno parla italiano &#8211; 404!: Glitching Locarno Film Festival&#8221;. In &#8220;The Future of Survival&#8221;. <em>The Future Cinema Conferences Series<\/em>, 1st Edition, Z\u00fcrich &amp; Berlin: Diaphanes, 2025, pp. 115-124. <a href=\"https:\/\/doi.org\/10.4472\/7580\">https:\/\/doi.org\/10.4472\/7580<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-e6178e\">\n<li class=\" eplus-wrapper\">Kreutzer, Evelyn<strong>.<\/strong> \u201cMoving Poems: The Most Beautiful Sea.\u201d <em>ELLA \u2013 Education, Literature, Language<\/em>, special issue: <em>Literature and the Video Essay. Researching and Teaching Literature Through Moving Images<\/em>, vol. 3, no. 2, edited by Adriana Margareta Dancus &amp; Alan O\u2019Leary, 30 January 2025.<br><a href=\"https:\/\/doi.org\/10.58215\/ella.75\">https:\/\/doi.org\/10.58215\/ella.75<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-b8f7a1\">\n<li class=\" eplus-wrapper\">Kreutzer, Evelyn. &#8220;Busting Beethoven: Nam June Paik\u2019s Residence at WGBH\u201d <em>Local Television: Histories, Communities, and Aesthetics<\/em>, ed. By Lauren Herold and Annie Sullivan. Atlanta: University of Georgia, Press, 2025. <a href=\"https:\/\/www.ugapress.org\/9780820374758\/local-tv\/\">https:\/\/www.ugapress.org\/9780820374758\/local-tv\/<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-1229ee\">\n<li class=\" eplus-wrapper\">Kreutzer, Evelyn. Review of Fleming, David H. \u201cHiber-nation: Under the Screen\u201d.<em> [in]Transition<\/em>, 12 December 2024. <a href=\"https:\/\/doi.org\/10.16995\/intransition.16546\">https:\/\/doi.org\/10.16995\/intransition.16546<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-8df513\">\n<li class=\" eplus-wrapper\">Kreutzer, Evelyn. \u201cAI and the Survival of Cinema\u201d. Filmexplorer Expanded podcast, 30 August 2024. <a href=\"https:\/\/www.filmexplorer.ch\/detail\/ai-and-the-survival-of-cinema-evelyn-kreutzer\/\">https:\/\/www.filmexplorer.ch\/detail\/ai-and-the-survival-of-cinema-evelyn-kreutzer\/<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-301bb9\">\n<li class=\" eplus-wrapper\">Kreutzer, Evelyn &amp; O\u2019Leary, Alan. \u201cOn the Importance of Writing on Video Essays\u201d. Video Essay podcast, 22 August 2024. <a href=\"https:\/\/podcasters.spotify.com\/pod\/show\/thevideoessay\/episodes\/Alan-OLeary-and-Evelyn-Kreutzer-on-the-Importance-of-Writing-on-Video-Essays-e2ngdc4\">https:\/\/podcasters.spotify.com\/pod\/show\/thevideoessay\/episodes\/Alan-OLeary-and-Evelyn-Kreutzer-on-the-Importance-of-Writing-on-Video-Essays-e2ngdc4<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-dc72de\">\n<li class=\" eplus-wrapper\">Kreutzer, Evelyn. \u201cDesktop Sounds\u201d. <em>Mediaesthetics: Zeitschrift f\u00fcr empirische Medienanalyse<\/em>, no. 5, Material &amp; Method: The Video Essay, finalist in the Adelio Ferrero Video Essay Competition 2024, 24 April 2024. <a href=\"https:\/\/doi.org\/10.17169\/mae.2024.99\">https:\/\/doi.org\/10.17169\/mae.2024.99<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-d0fb9f\">\n<li class=\" eplus-wrapper\">Kreutzer, Evelyn &amp; Gills, Libertad. \u201cOn Videographic Berlinale: Viewing Tips\u201d. The Video Essay Podcast, 8 April 2024. <a href=\"https:\/\/open.spotify.com\/episode\/3fT5Q1CcsdL4ETcXhywikA\">https:\/\/open.spotify.com\/episode\/3fT5Q1CcsdL4ETcXhywikA<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-21911e\">\n<li class=\" eplus-wrapper\">Kreutzer, Evelyn. \u201cInglorious Basterds and the Problem With History \/ Inglorious Basterds und das Problem mit der Geschichte\u201d. In: <em>In Medias Res <\/em>#3, Fluentum Museum Publication, 2024. <a href=\"https:\/\/www.fluentum.org\/en\/publications\/postproductions\/\">https:\/\/www.fluentum.org\/en\/publications\/postproductions\/<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-6552b1\">\n<li class=\" eplus-wrapper\">Kreutzer, Evelyn. \u201cMoving Poems: Towards a Poetics of Videography\u201d. In:\u00a0<em>ELLA \u2013 Education, Literature, Language<\/em>, special issue: Literature and the Video Essay. Researching and Teaching Literature Through Moving Images, edited by Margareta, Adriana &amp; O&#8217;Leary, Alan, 2024. <a href=\"https:\/\/doi.org\/10.58215\/ella.79\">https:\/\/doi.org\/10.58215\/ella.79<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:36px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<p class=\" eplus-wrapper eplus-styles-uid-a62243\"><strong><em><strong><em><strong><em>Kevin B. Lee<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/p>\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-77740f\">\n<li class=\" eplus-wrapper\">Lee, Kevin B.: &#8220;Seeing without Seeing \u2013 Towards a Generative Archival Practice&#8221;. carrier-bag.net,\u00a04. April 2025. <a href=\"https:\/\/carrier-bag.net\/seeing-without-seeing-towards-a-generative-archival-practice\/\">https:\/\/carrier-bag.net\/seeing-without-seeing-towards-a-generative-archival-practice\/<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-3d58f1\">\n<li class=\" eplus-wrapper\">Lee, Kevin B. (Ed.). &#8220;The Future of Survival&#8221;. <em>The Future Cinema Conferences Series<\/em>, 1st Edition, Z\u00fcrich &amp; Berlin: Diaphanes, 2025. <a href=\"https:\/\/doi.org\/10.4472\/7580\">https:\/\/doi.org\/10.4472\/7580<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-e86580\">\n<li class=\" eplus-wrapper\">Lee, Kevin B. &#8220;Surviving the Future: Video essays as exploratory film festival research&#8221;. <em>NECSUS &#8211; European Journal of Media Studies<\/em>, Spring 2025. <a href=\"https:\/\/necsus-ejms.org\/surviving-the-future-video-essays-as-exploratory-film-festival-research\/\">https:\/\/necsus-ejms.org\/surviving-the-future-video-essays-as-exploratory-film-festival-research\/<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-c17756\">\n<li class=\" eplus-wrapper\">Lee, Kevin B. (Guest Ed.). &#8220;Video Essay Dossier on Locarno Film Festival&#8221;. <em>NECSUS &#8211; European Journal of Media Studies<\/em>, Spring 2025. <a href=\"https:\/\/necsus-ejms.org\/editorial-necsus-spring-2025\/\">https:\/\/necsus-ejms.org\/editorial-necsus-spring-2025\/<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-7729a7\">\n<li class=\" eplus-wrapper\">Lee, Kevin B. &amp; Cipelletti, Silvia. \u201cInvestigating Ecocinema through the Video Essay: Videographic Scholarship As an Environmental Media Studies Pedagogy\u201d. Academic Quarter, no. 27, pp. 113-129, 31 August 2024. <a href=\"https:\/\/doi.org\/10.54337\/academicquarter.i27.8831\">https:\/\/doi.org\/10.54337\/academicquarter.i27.8831<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n\n<div style=\"height:0px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-0af8fd\">\n<li class=\" eplus-wrapper\">Lee, Kevin B. &#8220;Kevin B. Lee on Desktop Pasts and Cinema Futures&#8221;. Kinoki, 27 July 2024. <a href=\"https:\/\/www.kinoki.co\/kevin-b-lee-on-desktop-pasts-and-cinema-futures\/\">https:\/\/www.kinoki.co\/kevin-b-lee-on-desktop-pasts-and-cinema-futures\/<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-9c2e49\">\n<li class=\" eplus-wrapper\">Lee, Kevin B. \u201cHow to Reflect on a Desktop Tutorial\u201d. In: Corinne Mazzoli (Ed.), Counter Tutorials. Krisis Publishing, May 2024. <a href=\"https:\/\/www.krisispublishing.com\/prodotto\/counter-tutorials\/\">https:\/\/www.krisispublishing.com\/prodotto\/counter-tutorials\/<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-474087\">\n<li class=\" eplus-wrapper\">Lee, Kevin B. &amp; Kreutzer, Evelyn. &#8220;On Weirdness &amp; Memory&#8221;. The Video Essay Podcast, 20 February 2024. <a href=\"https:\/\/thevideoessay.com\/on-weirdness-memory?fbclid=PAAaZoquOi6ppAitiKEVbGzWExferDx3faW1AS7TCvWSSFNTONlZ4rAaAoGMQ_aem_AQ5bvTfPqOxEooa4-d9TXVCoGGu4xN4Ci43lwhNivuS5kGqkXwSv5BlYp7ea1_ItkpA\">https:\/\/thevideoessay.com\/on-weirdness-memory?fbclid=PAAaZoquOi6ppAitiKEVbGzWExferDx3faW1AS7TCvWSSFNTONlZ4rAaAoGMQ_aem_AQ5bvTfPqOxEooa4-d9TXVCoGGu4xN4Ci43lwhNivuS5kGqkXwSv5BlYp7ea1_ItkpA<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-b05699\">\n<li class=\" eplus-wrapper\">Lee, Kevin B. \u201cThe video essay as an emerging ecocinema practice\u201d. Woche der Kritik Magazine, February 2024. <a href=\"https:\/\/wochederkritik.de\/en_US\/magazin-2024\/alle-texte-2024\/the-video-essay-as-an-emerging-ecocinema-practice\/\">https:\/\/wochederkritik.de\/en_US\/magazin-2024\/alle-texte-2024\/the-video-essay-as-an-emerging-ecocinema-practice\/<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:36px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<p class=\" eplus-wrapper eplus-styles-uid-a62243\"><strong><em><strong><em>Silvia Cipelletti<\/em><\/strong><\/em><\/strong><\/p>\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-9dc7c8\">\n<li class=\" eplus-wrapper\">Cipelletti, Silvia; Bathla, Nitin; L\u00e4hteenm\u00e4ki, Markus, Papanicolau, Klearjos (Eds.). &#8220;Cinema and the City in the Age of Planetary Urbanization&#8221;. Berlin: JOVIS, 2026. <a href=\"https:\/\/www.jovis.de\/en\/book\/9783986121624\">https:\/\/www.jovis.de\/en\/book\/9783986121624<\/a> <\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-b614d4\">\n<li class=\" eplus-wrapper\">Cipelletti, Silvia &amp; Kreutzer, Evelyn. &#8220;Locarno parla italiano &#8211; 404!: Glitching Locarno Film Festival&#8221;. <em>NECSUS, Audiovisual Essays<\/em>, Spring 2025. <a href=\"https:\/\/necsus-ejms.org\/locarno-parla-italiano-404-glitching-locarno-film-festival\/\">https:\/\/necsus-ejms.org\/locarno-parla-italiano-404-glitching-locarno-film-festival\/<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-a7568f\">\n<li class=\" eplus-wrapper\">Cipelletti, Silvia &amp; Kreutzer, Evelyn. &#8220;Locarno parla italiano &#8211; 404!: Glitching Locarno Film Festival&#8221;. In &#8220;The Future of Survival&#8221;. <em>The Future Cinema Conferences Series<\/em>, 1st Edition, Z\u00fcrich &amp; Berlin: Diaphanes, 2025, pp. 115-124. <a href=\"https:\/\/doi.org\/10.4472\/7580\">https:\/\/doi.org\/10.4472\/7580<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-e899ba\">\n<li class=\" eplus-wrapper\">Cipelletti, Silvia &amp; Zanderigo, Zeno. &#8220;La prossimit\u00e0 come parametro scalare. Margini e interstizi nel paesaggio rurale trentino&#8221;. In: Leggero, Roberto &amp; Lorenzetti, Luigi, <em>I servizi di prossimit\u00e0 come beni comuni. Una nuova prospettiva per la montagna<\/em>, Roma: Donzelli Editore, Collana &#8220;Saggi. Natura e artefatto&#8221;, p. 288, 2024. <a href=\"https:\/\/www.labisalp.usi.ch\/it\/ricerca\/pubblicazioni\/libri\">https:\/\/www.labisalp.usi.ch\/it\/ricerca\/pubblicazioni\/libri<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-c7941e\">\n<li class=\" eplus-wrapper\">Cipelletti, Silvia &amp; Lee, Kevin B.. \u201cInvestigating Ecocinema through the Video Essay: Videographic Scholarship As an Environmental Media Studies Pedagogy\u201d. Academic Quarter, no. 27, pp. 113-129, 31 August 2024. <a href=\"https:\/\/doi.org\/10.54337\/academicquarter.i27.8831\">https:\/\/doi.org\/10.54337\/academicquarter.i27.8831<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:36px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<p class=\" eplus-wrapper eplus-styles-uid-a62243\"><strong><em>Marine de Dardel<\/em><\/strong><\/p>\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-233b01\">\n<li class=\" eplus-wrapper\">de Dardel, Marine. &#8220;There&#8217;s no Place like Home: The Psychogeography Of Voluntary Enchantment&#8221;. In trans magazin, ed. Pseudo: trans 48. Z\u00fcrich: gta Verlag, 2026. <a href=\"https:\/\/verlag.gta.arch.ethz.ch\/en\/gta:book_ec29f020-6e86-47ad-aa2b-731dcbabc669?schema:isPartOf=gta:serie_122\">https:\/\/verlag.gta.arch.ethz.ch\/en\/gta:book_ec29f020-6e86-47ad-aa2b-731dcbabc669?schema:isPartOf=gta:serie_122<\/a> <\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-54e36f\">\n<li class=\" eplus-wrapper\">de Dardel, Marine (Co-Ed.); Lee, Kevin B. (Ed.); Mazzarino, Flavia (Co-Ed.). &#8220;The Future of Survival&#8221;. <em>The Future Cinema Conferences Series<\/em>, 1st Edition, Z\u00fcrich &amp; Berlin: Diaphanes, 2025. <a href=\"https:\/\/doi.org\/10.4472\/7580\">https:\/\/doi.org\/10.4472\/7580<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-f09962\">\n<li class=\" eplus-wrapper\">de Dardel, Marine. &#8220;The Colour Out of Space&#8221; (audiovisual and textual essay). In The Future Cinemas Conferences Series: The Future of Survival Conference Proceedings, Z\u00fcrich &amp; Berlin: Diaphanes, 2025. <a href=\"https:\/\/doi.org\/10.4472\/7580\">https:\/\/doi.org\/10.4472\/7580<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-a2bab1\">\n<li class=\" eplus-wrapper\">de Dardel, Marine. &#8220;The Colour Out of Space (audiovisual and textual essay)&#8221;. <em>NECSUS &#8211; European Journal of Media Studies, <\/em>15 May 2025. <a href=\"https:\/\/necsus-ejms.org\/the-colour-out-of-space\/\">https:\/\/necsus-ejms.org\/the-colour-out-of-space\/<\/a><\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-166ac4\">\n<li class=\" eplus-wrapper\">de Dardel, Marine (Co-Author &amp; Co-Ed.); Chair Charbonnet\/heiz, VOLUPTAS ETHZ (Eds.). &#8220;Elegies. Laments for an Architectural Project&#8221;. Weimar: M Books, 2024.<\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<ul class=\" wp-block-list eplus-wrapper eplus-styles-uid-ac4f73\">\n<li class=\" eplus-wrapper\">de Dardel, Marine; Charbonnet, Fran\u00e7ois; Heiz, Patrick. &#8220;de la Verticalit\u00e9 \/ Zur Vertikalit\u00e4t&#8221;. Multilingual Edition, Z\u00fcrich\/Berlin: Park Books, 2024. <em>Winner of the DAM Architectural Book Award 2025<\/em>.<\/li>\n<\/ul>\n\n\n<div style=\"height:1px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper\"><\/div>\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\" wp-block-spacer eplus-wrapper eplus-styles-uid-b6b4e2\"><\/div>","protected":false},"excerpt":{"rendered":"<p>&#8220;gestures of thought: inscription&#8221;, Johannes Binotto, 2025. Publications Johannes Binotto Evelyn Kreutzer Kevin B. Lee Silvia Cipelletti Marine de Dardel<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"editor_plus_copied_stylings":"{}","footnotes":""},"class_list":["post-201","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/pages\/201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/comments?post=201"}],"version-history":[{"count":73,"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/pages\/201\/revisions"}],"predecessor-version":[{"id":2684,"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/pages\/201\/revisions\/2684"}],"wp:attachment":[{"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/media?parent=201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}