{"id":1465,"date":"2025-12-07T15:47:24","date_gmt":"2025-12-07T14:47:24","guid":{"rendered":"https:\/\/videoessays.org\/?page_id=1465"},"modified":"2026-01-11T20:07:59","modified_gmt":"2026-01-11T19:07:59","slug":"1465-2","status":"publish","type":"page","link":"https:\/\/videoessays.org\/index.php\/1465-2\/","title":{"rendered":""},"content":{"rendered":"
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Expanded Screens: The Video Essay at Museum of the Moving Image<\/mark> (MoMI) program<\/h2>\n\n\n\n

Jan 3-5, 2025<\/strong><\/p>\n\n\n\n

\u201cThe video essay or the videographic essay or the audiovisual essay represents a new cinematic avant-garde.\u201d Thus wrote Scott MacDonald in an influential 2022 article, using three different terms to describe films and videos that employ existing media for critical purposes. Each term signals a separate way of combining artistic experimentation, academic research, and essayistic reflection into a singular expression. <\/p>\n\n\n\n

This screening series presents a selection of video essays from across the 21st century that offer a spectrum of the medium\u2019s possibilities, featuring authors who work in a self-defined space somewhere between film studies and experimental filmmaking.<\/p>\n\n\n\n

Programmed by Will DiGravio, John Gibbs, Evelyn Kreutzer, Kevin B. Lee, and Mara Oliva <\/p>\n\n\n\n

Read more information at Expanded Screens: The Video Essay at MoMI<\/a><\/p>\n<\/div><\/div>\n\n\n

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Program<\/h2>\n\n\n
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EXPANDED SCREENS PROGRAM 1:
WHERE DOES FILM LIVE?<\/strong>
Jan 3, 2025<\/p><\/div>\n\n\n\n

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EXPANDED SCREENS PROGRAM 2:
REMIXING NEW YORK<\/strong>
Jan 4, 2025<\/p><\/div>\n<\/div>\n\n\n

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EXPANDED SCREENS PROGRAM 3:
THE NEW AVANT-GARDE<\/strong>
Jan 4, 2025<\/p><\/div>\n\n\n\n

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EXPANDED SCREENS PROGRAM 4:
OUT OF THE PAST<\/strong>
Jan 5, 2025<\/p><\/div>\n<\/div>\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Expanded Screens: The Video Essay at Museum of the Moving Image (MoMI) program Jan 3-5, 2025 \u201cThe video essay or the videographic essay or the audiovisual essay represents a new cinematic avant-garde.\u201d Thus wrote Scott MacDonald in an influential 2022 article, using three different terms to describe films and videos that employ existing media for […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"editor_plus_copied_stylings":"{}","footnotes":""},"class_list":["post-1465","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/pages\/1465","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/comments?post=1465"}],"version-history":[{"count":19,"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/pages\/1465\/revisions"}],"predecessor-version":[{"id":2437,"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/pages\/1465\/revisions\/2437"}],"wp:attachment":[{"href":"https:\/\/videoessays.org\/index.php\/wp-json\/wp\/v2\/media?parent=1465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}